'Ozark': Why Julia Garner Says Coronavirus 'Unfortunately Helped' the Show Become More Successful

26-year-old actress Julia Garner took the entertainment world by storm with her Emmy Award-winning portrayal of Ruth Langmore in popular Netflix series, Ozark. The third season saw a significant uptick in first-day viewership from its second season, and Garner acknowledged the novel coronavirus (COVID-19) might have “unfortunately helped.”

Julia Garner on ‘Ozark’ as Ruth Langmore

The Jason Bateman and Laura Linney-led crime drama series revolves around financial adviser Marty Byrde, who has to relocate his family to a small town in Missouri to set up a money-laundering operation for a Mexican drug cartel.

Viewers are introduced to tough and sharp-tongued 19-year-old Ruth Langmore (Julia Garner) in the second episode when she attempts to steal the initial money meant for Marty to begin laundering.

While she initially came off as only another member of the local crime family, Marty soon realizes she’s brilliant and invites her to work for him. Ruth agreed with the intentions of learning his trade and then turning on him.

RELATED: ‘Ozark’ Julia Garner Won Outstanding Supporting Actress in a Drama Series Emmy Over ‘Game Of Thrones’ Stars

However, she began to see Marty as a father figure and decided to partner with him, even cutting off most of her family for the financial adviser. In the third season, viewers see a new side of Ruth when she falls in love with an unexpected visitor.

Although innocent at first, the relationship threatens to come between her and Marty forever.

‘Ozark’ Season 3 became very successful

The third season of Ozark launched on March 27, 2020, only days before stay-at-home orders were enacted in nearly every state in efforts to slow the spread of the novel coronavirus (COVID-19).

According to Nielsen’s data, 975,000 Americans watched the crime drama series’ third season on the day it dropped on Netflix, a noticeably massive uptick from the 314,000 viewers who tuned in on the Season 2 premiere date. Additionally, over a million Netflix users logged in the day after the Season 3 premiere to watch the series.

RELATED: Is Julia Garner of ‘Ozark’ Related to Jennifer Garner?

While many credit the jump in viewership to the recognition Ozark has received at several award ceremonies, Netflix shows overall have enjoyed a nice surge because people are practicing social distancing and spending more time at home. 

Julia Garner says coronavirus ‘unfortunately helped’ the show

In a Deadline interview, Julia Garner acknowledged the series’ recent success, and admitted the novel virus might have something to do with it, although it “sounds terrible.”

She explained the third season “unfortunately” dropped at a “perfect time” due to the social distancing recommendations. Garner also talked about how her character developed this season and her excitement to play a different side of Ruth as she always views her roles as real people “evolving.”

Even though viewers see another side to the sassy Langmore in the third season, Garner acknowledged her character still “only knows how to be a criminal.”

RELATED: ‘Ozark’s Julia Garner Will Never Star in a Teen Movie

Outside of Ozark, the 26-year-old appeared in an Emmy Rossum-directed episode of Modern Love and the main character in whistleblower film, The Assistant.

The actress has other projects in the works, including an upcoming Shondra Rhimes Netflix series, where she portrays jailed fraudster, Anna Delvey. Ozark is available to stream only on Netflix.

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Julia Louis-Dreyfus shows off her makeup skills for coronavirus PSA

Julia Louis-Dreyfus always looks lovely on the red carpet, but now that she’s stranded without her usual glam squad, things are looking … different.

The 59-year-old “Veep” actress stars in a new PSA urging California residents to help fight the coronavirus pandemic by staying home to flatten the curve, and took the opportunity to show off her dubious beauty skills.

“You know, normally when I do a PSA like this, I have a hair and makeup team, a professional glam team who come and help me with my look,” Louis-Dreyfus said while scrawling bright red lipstick across her mouth. “But today, they’re staying at home. They’re staying safe, and that’s what I would like to ask you to do: Please stay home.”

After encouraging viewers to maintain six feet of distance should they need to venture outdoors, the “Seinfeld” star — who also sports disheveled hair, a sloppy smoky eye, clownish blush and awkwardly drawn-on eyebrows in the clip — glanced in a compact to check out her work. “Perfect,” she declared.

Louis-Dreyfus’ famous friends certainly seemed to be fans of her handiwork, too. “Gorgeous,” her “Veep” co-star Tony Hale declared, while fellow comedian Andrea Savage chimed in with, “I love everything about this. Thank you.”

The Emmy winner is far from the only star taking her beauty routine into her own hands these days; Martha Stewart recently admitted to missing her glam team, while Kaia Gerber and Zoe Saldana have been experimenting with colorful eye makeup.

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Julia charms with simple pleasures

Julia Jacklin
Enmore Theatre, March 5
★★★½

At a time when the musical approach du jour feels like “more is more” and “less” is just that, Julia Jacklin’s minimalism lets us all take a breather as she tells stories with a wisdom well beyond her 29 years.

Opening with Comfort, Jacklin entered the stage alone, just her voice and guitar. “You’ll be OK,” she sang, with a dirge-like twist of irony.

Julia Jacklin brought a charming naivete to her performance.

Shortly afterward, joined by a band of seven, Jacklin was careful to maintain the slivers of dynamic insouciance on last year’s album Crushing. It’s a searing, folk-induced tour de force; lyrically enchanting, musically indifferent.

Jacklin and her band were able to execute bolder, more dynamic songs with ease but appeared challenged by those with minimal melodic and structural variation, creating sections that sounded lost in a rolling drone, leaving Jacklin’s voice drowning among it all.

Executing simplicity with nuance, while entertaining a sold-out audience, is tough. And while Jacklin tried to supplement the latter with a charming naivete, full of nods to her days at school, at times it felt like we were back there with her.

While those moments were charming they revealed a nervousness that, coupled with the night’s musical inconsistencies, highlighted just how difficult shows like these can be – and that executing them with calm effortlessness is a big ask.

Once Julia Jacklin learns to command a room like this with confidence, she will be a force to be reckoned with.

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